Perception Over Perfection
Minkyung Cho
In design, perfection exists at the intersection of computational precision and human intuition. While technology allows designers to achieve mathematical accuracy, our collective preference for subtle imperfections and human intervention suggests a more nuanced understanding of what constitutes "perfect" design. The persistent gap between perfection and preference raises the question: Is it our uniquely human ability for emotional resonance and intuitive decision-making that defines true design excellence?
This project examines the relationship between algorithmic precision and perceived perfection, arguing that true design excellence does not arise from pure optimization and objectivity but from the deliberate integration of human judgment and intentional imperfection. The book is divided into three sections: the first is entirely manually typeset, the second combines code-generated layouts with manual adjustments, and the third is fully automated. The website serves as a companion to the book, functioning as an archive of projects that utilize digital and coded techniques. Its generative layout and styling dynamically respond to user interactions, breaking down the notion of what a "perfect" website layout is.
This research challenges the notion that imperfections are compromises or limitations. Instead, it explores how they serve as essential elements in elevating design beyond technical execution. They are not flaws to be eliminated but driving elements for human connection and emotional engagement in design.